Wednesday, May 29, 2024

A New Backing Track For “Off To California”

I really like playing this song, “Off to California,” on the banjo. The song is also known as “The Juggler” and “The Fireman's Reel.” The origin of this hornpipe is unknown. Dave Hum recorded the song in the Key of A using standard tuning. So, you'll need to capo the 2nd fret, and also the 5th string at the 7th fret. By God's grace, I've come a long way in my backing track skills since 2021. Listen to how awful my tracks were a couple years ago...
Now here is the backing track that I made today. I listened to a bunch of Dave Hum's backing tracks and studied how he made them. I really tried to make this track Dave Hum style. I think it came out purdy good, much better than the one I made two years ago. Enjoy! ...
I tried to be more creative making this backing track. I went back and read Dave's own words how he makes his backing tracks. He mentioned using “loops.” I love the program MixCraft, which is a complete Digital Audio Workstation (DAW). The program comes with 5,000 audio loops which you can use in your projects. They are simply .wav files of real instruments. I used a couple different shakers and a tambourine from the loops library for Off To California, which really add some quality sounds to the backing track. I'll be using them more in future tracks.

Ableton is another popular DAW, which in my humble opinion is much more complicated to use than MixCraft, and frustrating. Plus, Ableton costs $749 for the full program with all the loops. You can buy the latest MixCraft Pro 10.5 program for $149 and you get everything. If you'd like to make your own backing tracks, I highly recommend MixCraft, which I've been using for over 10 years. Once you buy the software, it's yours for life. If you buy a new computer, you can download and install the program free on your new computer, even several years later. I have done that a couple times myself. Once you buy the program, future upgrades are discounted for the newest version. I paid $39 recently to upgrade to version 10 from version 9.

I'm also using my new Fender Mustang bass in this song, which I bought to make backing tracks. I think it sounds nice. The more I make backing tracks, the easier the process gets.

I was listening to The Lilting Banshee today by Dave Hum. I have his backing track which I purchased from his family. If you haven't bought bought Dave Hum's backing tracks yet, you're missing out! Nothing I can make comes even close to Dave's tracks. Anyway, in the backing track Dave uses a symphonic type of keyboard, which sounds very nice. I used one (which comes with MixCraft) in Off To California, which you can hear begin about half way through the song. One of the things I like best about MixCraft is how easy it is to adjust the timing of loops. You just click and drag the track to adjust it to your main drum track (i.e., to get it all coordinated). Timing is everything in music! It is tedious work at times, but I enjoy it.

Thanks for visiting my banjo blog. Music makes the world a better place!

Monday, May 27, 2024

New Backing Track For “The Merry Blacksmith”

Here is another great song that Dave Hum plays using the Double C tuning. The trickiest part of playing the song is on the first string at the 5th and 7th fret, and then down to the 2nd and 3rd strings. The key, if you watch what Dave is doing, is to keep those triplets going. His fingers keep steadily rolling through the notes, playing triplets. Watch what he does. The technique that he uses makes it much easier to play this run (in my humble opinion), than if you try to do the hammer-on without continuously playing triplets.

The Merry Blacksmith is a traditional Irish reel in the Key of D. The song is also known as The Blackened Smith, The Boys Of The Lake, The Corkonian, The Drayman’s Round, Music Of The Forge, Paddy On The Railroad, The Peeler’s Cap and Sleigh Ride. I used Dave Hum's recording as a template. I recently downloaded the free version of MODO's drum VST plugin for my MixCraft software, which has some nice percussive sounds. For this song, use a capo on the 2nd fret, and 7th fret of the 5th string. Enjoy!
  1. The Merry Blacksmith (normal speed)
  2. The Merry Blacksmith (slower)
  3. The Merry Blacksmith (normal - MODO percussion)
  4. The Merry Blacksmith (slower - MODO percussion)
  5. The Merry Blacksmith (slow - MODO percussion)
  6. The Merry Blacksmith (woodshed - MODO percussion)
  7. The Merry Blacksmith (no master effects, dryer sounding)
  8. The Merry Blacksmith (drum variation - normal speed)
  9. The Merry Blacksmith (drum variation - slower)
There are so many great songs to explore and play using the Double C tuning. I enjoy playing this song. This is one of a few songs which Dave Hum plays that I can keep up with his tempo, so I don't have to slow it down. Remember when playing the hammer-on at the 5th to 7th fret on string one to keep the right hand picking continuously, which makes it much easier. I basically just keep rolling the notes on string one with my thumb, forefinger and middle finger (hence, triplets). The song is pretty straight forward to play, so I didn't tab it. Dave does a lot of improvising, which he loves to do, and we love to hear. My favorite part to play is the descending rolling bass lines toward the end.

Dave Hum (1966-2012)

Tuesday, May 21, 2024

A New Backing Track For “Gaspe Reel”

I had never been interested in reels, jigs and hornpipes until I found Dave Hum's music. Wow! He plays songs in an irresistible way that compels me to want to learn them on the banjo. Another one of my favorite songs Dave plays is Gaspe Reel. Dave plays three different picking patterns in this song, all fun to learn and play. I did my best to tab the song as Dave Hum played it in Double C tuning, Key of D (capo the 2nd fret, and capo the 7th fret on the fifth string). Enjoy!
Gaspe Reel was composed by Erskine Morris, an old-time fiddler from Douglastown, Quebec. I recently paid a man $149 to make me a backing track for Gaspe Reel. I am giving it to you for free. The track is not bad. It's not quite what I wanted, but it's good. You might like it. Hear it for yourself. You can download and freely use this track any way you want. ...
I set out today to see if I could do better on my own, so here is my backing track for Gaspe Reel. As I often do, I used Dave Hum's YouTube video as a template to build my track. 
Humbly said, I like my backing track better, but they are both helpful tracks to play along with. The disappointing thing is that I sent Dave's video of Gaspe Reel to the man at NicoBackingTracks.com and asked him to recreate the track, but what he made sounds like the Eagles...lol. Still, it's not bad. I'm not wealthy, but I really want some great backing tracks. It's a matter of priorities.

I am hoping that Dave Hum's family will make all 179 remaining backing tracks available for purchase. They're worth more than gold to me! I cannot share those of course with others, but the one's I make from scratch I will freely share. Dave's backing tracks are ten times better than anything I can make, but I'm trying to emulate the man's music genius. I recommend that you buy Dave's tracks from his family.

I checked around online and the going standard rate for making a backing track is $150. Goodnight in the morning! At first that may seem ridiculous. Since I have spent the time to make my own backing tracks, I know the time that goes into them, so I don't think it is unreasonable to charge someone $150 to make one, if it is a legitimate project. I think the guy who made Gaspe Reel for me sincerely did his best, so I just thanked him and said this was the only song I want to do. Everybody makes music differently, so I am appreciative for his time and effort. You may like his backing track better than mine. I am glad to freely share it with others.

Although $150 is a reasonable price in today's world, I simply don't want to pay that kind of money for just one backing track (nor can I afford it). I was thinking of all the stuff I could have bought at Home Depot for $149. If my memory serves correct, I paid a man $125 about ten years ago to make a backing track for the song Hawaiian Paradise. I wasn't too happy with the outcome of that one either. Beauty is in the eyes of the beholder. Those are the only two songs I've ever paid anyone to make. I admit that I am curious about what other musicians can do to make backing tracks.

Also, I spent some time today learning to play my new used Cajon box from Amazon (I paid $88 for a used one that looks brand new), which you will hear in my Gaspe Reel backing track. I also bought a percussive instrument from Amazon called a Kandu, which you will also hear used in my Gaspe Reel track. I want to make Dave Hum style backing tracks. When I get better at it, I want to go back and add the Cajon box to Earl's Breakdown, which you can hear Dave use in his track (you can hear the Cajon box at 31 seconds in Dave's video). 

I found anther man who has been making backing tracks for 30 years. I might pay him $150 next month to make me a backing track for Dave Hum's song Peeler's Jacket. But that would likely be my last purchased backing track for $150, because it's just too dang expensive. I love that song! If I do decide to have it made, I'll freely share it with everyone. Dave Hum's backing tracks are the exception for me, I'd gladly pay thousands of dollars to his family to have the remaining 179.

I feel connected to Dave since I have listened to his music regularly since 2018. He's like a brother to me. You know you've got something special when people want to hear someone's music again and again, and you never get tired of hearing it. Dave Hum's music is that good. There are three musicians who inspire me like that: Jerry Byrd (1920-2005), Lloyd Green (born 1937) and Dave Hum (1966-2012).

This song is played in Double C tuning, Key of D. So you'll need to use a capo on fret 2. I installed my own railroad spike on the 7th fret of my new Deering Goodtime Special. I ordered the spikes from StewMac and the micro hand drill and bits from Amazon. Jake from Banjo Ben Clark's store explains how to install the spikes. It's easy to do. In 2019 I bought my daughter on Guam a Recording King Madison with a mahogany body. I also installed a railroad spike on that banjo. Like Jake does, I prefer to install my spike under the 5th string. I've seen some spikes installed half way toward the 4th string, which I don't like.

I think my tabs are fairly close to what Dave played. The more that I work on this song, the more comfortable I am with it, and the easier it gets to articulate the pull-offs with my fingers. It's amazing how a song opens up to you once you get it into your brain, so you don't have to keep thinking what comes next.

I was watching Dave play Devil's Dream today. Someone walked up and put some money into his banjo case and made a comment. Dave replied with a cheerful, "Thank you," looking right at them with a smile, all the while still quickly playing Devil's Dream without missing a beat. Wow! That tells me he knows the song so well that he can instinctively play it while being distracted. I would have had to stop and miss a few beats...lol. My mother (1935-2001) used to play Gospel hymns on the piano so good, that she could carry on a conversation with someone while playing. That always amazed me!

I really enjoy playing this Irish tune, Gaspe Reel. Enjoy!

Monday, May 20, 2024

New Backing Track For “Whisky Before Breakfast”

This is a popular fiddle tune a.k.a. “Spirits of the Morning, also known as The Scottsman, Spirits In The Morning, Whiskey ’Fore Breakfast, Whiskey For Breakfast and Whisky Before Breakfast. Traditional Canadian fiddle tune a.k.a. “Spirits of the Morning.” Dave Hum doesn't use a bass for the first 2 bars. I made multiple backing tracks with and without. I was messing around with percussion patterns and came up with a Civil War type of rhythm, which I thought was interesting, so I included that track too. I also tabbed out the song for you as Dave played it in Double C tuning. You'll need to place a capo on your 2nd fret, and then the 7th fret for the 5th string Enjoy!
I did the best I could with my Gretsch G2220 bass and Cort acoustic guitar. I'm trying something new by adding MODO percussion as a VST plugin to MixCraft. MODO has some great quality drum sounds. I just ordered a Fender Mustang PJ bass guitar, which from the reviews I've read is a better quality and sounding bass than the Gretsch (it costs twice as much). I've been wanting a P bass for a long time.

The bass parts are easy to play on Whisky Before Breakfast, but the guitar parts are tricky. I have difficulty playing the Bm chord, trying to do a bar chord on the second fret. I tried to slow the song down and record it that way, but the finished result wasn't as good, so I went back to recording at the tempo at which Dave recorded his song. I think it came out fairly well.

Dave Hum (1966-2012)

Wednesday, May 15, 2024

“The Session Book” Banjo Course By Sean Ray

I found this nice banjo course today by Sean Ray for $45. Best of all, it comes with some quality backing tracks played by real musicians, not BIAB. I ordered the course and am pleased with it. I've been working on Foggy Mountain Special just now, which I recognized right away as one of the songs Dave Hum recorded. Dave does some great things in this song. It's a fun song to play.


In this e-course you get tablature in both .PDF and .TEF format, and then backing tracks with and without the banjo (which you download from Google drive) for the following 26 songs:
  1. Blackjack
  2. Bugle Call Rag
  3. Clinch Mountain Backstep
  4. Cripple Creek
  5. Cumberland Gap
  6. Dear Old Dixie
  7. Earl’s Breakdown
  8. Farewell Blues
  9. Fireball Mail
  10. Five Speed
  11. Flint Hill Special
  12. Foggy Mountain Breakdown
  13. Foggy Mountain Chimes
  14. Foggy Mountain Special
  15. Ground Speed
  16. Home Sweet Home
  17. John Hardy
  18. John Henry
  19. Lonesome Road Blues
  20. Pike County Breakdown
  21. Randy Lynn Rag
  22. Reuben
  23. Sally Ann
  24. Sally Goodin
  25. Shuckin’ The Corn
  26. Train 45
Good stuff! If you check online for the going average cost to pay someone to make you a backing tract, it is now $150 per song. Great fluffy biscuits in the morning! So, here you're getting 26 great backing tracks with violin, mandolin, guitar and bass for just $45, plus all the tablature.

The musicians are:
  • Sean Ray – Banjo, Guitar, Bass
  • Brian Ray – Mandolin
  • Paul Kienitz – Violin
That's a great deal if you ask me! I don't get anything for promoting other people's stuff, I just like sharing things that help to enrich other musicians.

Also, on a different but related note, I love the program MixCraft and have used it for over 10 years to work with backing tracks and record my music. I use the Pro Studio version of MixCraft for $149, but I'm sure I could easily get by with the cheaper version. I've always had the philosophy that it's better to have it and not need it, than need it and not have it. If you do opt to buy the less expensive basic version, you can always upgrade for a discounted price at a later time to the Pro Studio version if you want. With just the lower priced $79 version you can edit any backing track to change it's tempo, key, add effects, et cetera.

For example: I really like the song Ground Speed. Sean Ray made an awesome backing track for it in his The Session Book course, but I wanted to speed it up a bit (it's one of a few songs I can play at a faster tempo), so I used MixCraft to make it a bit faster today. If you do purchase MixCraft and have any questions, I'll do what I can to help you. There's plenty of helpful information and tutorials online for the program, which is invaluable. Plus MixCraft has good tech support. Once you buy the program, it's yours for life. I like that. I hate the Microsoft wants to charge you every year to use their software. I try to avoid those traps.

A Cool Dave Hum T-Shirt I Had Made

Tuesday, May 14, 2024

A Backing Track For “The Maid Behind The Bar”

This is one of my favorite songs that Dave Hum plays, which he does in the Double C tuning. Here is his album version. If you don't yet have Dave's albums and backing tracks, I highly recommend purchasing them. He plays The Maid Behind The Bar so fluently as if born to play the banjo, but I know better than that. Dave didn't have it any easier than the rest of us. He began playing classical guitar and busking as a teenager. Those acquired skills helped him no doubt when he started learning the banjo, but he had to work hard and apply himself just like the rest of us. There are no shortcuts to mastering any musical instrument.

Having said that, without further ado, here is my new backing track for The Maid Behind The Bar. I used Dave's song as a template, even adding his intriguing acoustic guitar Em chord back-rake toward the end of the song. ...
This is a beautiful song. Dave plays it better than anyone in my humble opinion. I studied his three different recordings of the song on YouTube. They are all uniquely different in some aspects. At first when I tried to learn the song, I felt like I'd never be able to play it like Dave does. But after spending a few days working on the song, I made a lot of progress.

I heard famous guitarist Tommy Immanuel say something brilliant on Rick Beato's YouTube channel last year. Tommy said that as long as you're trying to remember what chords and notes to play next, you'll never be able to focus on your style and expressiveness. So the key to learning any song on the banjo is to first play it enough, until you become so familiar with it that you don't need to think anymore what comes next. Only then can you really begin to learn the song. The Maid Behind The Bar is no different. It is a challenge to play, but well worth the investment. I really like this song.

A Cool Dave Hum T-Shirt I Had Made

I Updated My “Peaches & Cream” Backing Track

I went back and heard a guitar chord that I played way too late for Peaches & Cream by Alan Munde. It bothered me, so I fixed it. I also added a Kandu shaker to parts of the song, which I hope you'll like. Enjoy! ...
By the way, I'll be glad to adjust any of these backing tracks freely for anyone who asks me (you can also contact me in the BanjoHangout forum if you prefer). I can mix the track down into a different key, or change the tempo. I'm still learning as I go, so if you prefer a louder or quieter/louder Kandu/Cajon, or no Kandu/Cajon Box at all, just let me know. You can use my backing tracks anyway you want freely, no credit need be given. I'm just happy that someone would want to play along with my backing tracks. Music makes the world a better place.

Having said that, please keep in mind that I won't make any promises to anyone, due to my health afflictions. I have an old neck injury from 1992 and 2004, a failed surgery in 2009, and a second failed neck surgery in 2010 that made me much worse off. I don't ask for any sympathy, I just don't want to make any promises that I might not be able to keep. I'll do my best. Enjoy!

Saturday, May 11, 2024

New Backing Track For “Devil's Dream/Blackberry Blossom”

These are two of my favorite songs to play on the banjo. Both songs are of unknown origin dating back to at least the 1800's. They are both popular fiddle songs. This backing track is done in the key of G. I used Dave Hum's recording as a template to make this backing track...
Here's some tabs for Devil's Dream from the BanjoHangout. Also, here are some free tabs for Devil's Dream from Ross Nickerson

Here's some tabs for Blackberry Blossom from the BanjoHangout. Bill Nesbitt does a great job explaining how to play Blackberry Blossom, which you can find on this webpageAlso, see Geoff Howald's free tabs for Blackberry Blossom.

The leather strap worked it's way off my acoustic guitar's end pin today and the instrument fell to the hard floor, cracking the body. Ouch! It was the Devil's dream! Ha Ha! 

I Hate When That Happens!

Thankfully I only paid $130 for the guitar in 2022 at a local Guitar Center. It is a Cort brand and I love this guitar. I knew I was going to buy it from the moment I made the first strum. It doesn't have all that shellac deadening the sound that some guitars do, it is bare wood and sounds organic. The case cost me more than the guitar! I am thankful that it wasn't a $5,000 Gibson, or a $3,500 Taylor. I once held an $8,000 Martin guitar about 30 years ago at a Guitar Center in Chicago. I hated the thing! The strings were hard to press down and the guitar did nothing to impress me. I hung it back up on the wall very carefully...lol. Go figure that a $130 guitar could feel and sound so nice.

Anyway, I recorded this guitar after damaging it today on Devil's Dream/Blackberry Blossom and it still sounds excellent (so far...lol). I also went on Amazon and ordered some strap locks! (I don't want to accidentally break anything else.) I just bought my Deering Goodtime Special banjo in April, for which same price I could purchase EIGHT more Cort guitars!!! It's an okay banjo, but I recommend saving your money for a professional banjo if you don't have one. I only bought this lighter Goodtime Special because of my neck injury going back to 1992 when I got severely rear-ended by a church bus, and it permanently misaligned my neck. I cannot express in words the horrible arthritis neck pain that I suffer with on a daily basis. It is debilitating to say the least. Albeit, God is good and I have no complaints.

I watched about 30 Dave Hum videos today on YouTube and carefully studied his hands, gear, banjos and everything. The guy is amazing! I watched him play Third Man Theme and it blew my mind how skilled he is in his coordination with his right hand. Wow! God only made one Dave Hum! If I could ever play one-third as good as Dave, it would be a great blessing. I have years to go, but I'm having a lot of fun learning, and that's the whole idea. Music makes the world a better place! Dave's music has brought so much happiness into my life. Surviving with constant neck pain makes Dave's music all that much more meaningful to me, especially knowing that he was dying of Myeloma cancer while recording all of his cheerful videos on YouTube. Dave is one of my heroes! Also, I'm enjoying making and freely sharing backing tracks as much as learning the banjo. I want to help encourage other banjo enthusiasts.

I am learning as I go how to make better backing tracks, so bear with me. My original recordings that I posted here in my blog are not too good. They all lack some form of padding to carry the song along. They're just bass and percussion, which is not good. So, God willing, I will be redoing all of them over time, one by one, and reposting them for everyone.

Also, they are all too fast, so I need to provide some slower ones for people like me...lol.

Plus, I have learned to play bass better in the past 2 years. I wasn't letting the notes sustain long enough. I have a bad habit of playing short beats with my bass, instead of letting the notes sustain for a second or so. It makes a big difference in the end result.

I'm also getting better with my timing in MixCraft and learning things from studying Dave's techniques. I'm working on a backing track for The Maid Behind The Bar, and it's almost done. Gaspe Reel is next. These are all Double C tuning songs. If you've never played the Double C tuning, you should really try it, it is simple and beautiful. There are chords online. Today I studied Dave's video and tabbed out The Maid Behind The Bar in Double C tuning, which I will post with the backing track when completed. It is a simple song to learn, but difficult to play correctly because it requires impeccable timing, which is a slowly acquired skill that only comes from spending time in the woodshed playing your banjo. Playing folk songs is a completely different skill than playing Bluegrass rolls. Dave Hum excelled at both techniques. As a banjo player I love both styles.

I used my Gretsch short-scale bass on The Devil's Dream/Blackberry Blossom. My recording signals have been clipping the red zone (not good). So I turned the bass and gain knobs down a bit on my Rumble 40. I'm recording bass out the back of my Rumble 40 into a Scarlett interface into the computer. The percussion is all MIDI, provided by MixCraft. I'm using 4 MIDI woodblocks for the lead-in notes, like Dave Hum used. Then I'm using the standard kick drum and tambourine for the rest of the song. I double-tracked the ending guitar G chord.

At first I thought I'd have a lot of difficulty making Devil's Dream because of the fast moving guitar chord changes, but it turned out to be quite easier than I thought. It all went quickly. The entire song only uses 6 chords (G, Em, C, Am, D, Bm). All of my future tracks, Lord willing, will have some type of chord padding, like Dave uses. He uses some type of acoustic piano for padding it seems, which I need to work on. I am much more skilled with the guitar than the piano, so that is what I am using for now.

By the way, in case you may be wondering why I say "God willing" or "Lord willing" often, it is because of a teaching in the Holy Bible from James 4:13-17, “Go to now, ye that say, To day or to morrow we will go into such a city, and continue there a year, and buy and sell, and get gain: Whereas ye know not what shall be on the morrow. For what is your life? It is even a vapour, that appeareth for a little time, and then vanisheth away. For that ye ought to say, If the Lord will, we shall live, and do this, or that. But now ye rejoice in your boastings: all such rejoicing is evil. Therefore to him that knoweth to do good, and doeth it not, to him it is sin. As a Christian since age 13 (wow, that was 44 years ago), I try to honor God by never assuming that tomorrow is mine. Proverbs 27:1, “Boast not thyself of to morrow; for thou knowest not what a day may bring forth. One day at a time.

To be honest, one of the reasons why I started a banjo blog was to share the Gospel of the Lord Jesus Christ with others. Life is short, Hell is hot and eternity is a long time! I won't preach to you in all my blogs, but every so often I would like to just invite you to trust Jesus as your personal Savior. Like my backing tracks, eternal life is a free gift from God. But for those who refuse Christ, please know that everyone is very welcome at my blog and I love everyone unconditionally with God's love, no matter who you are. So please feel welcome!

Thank you for reading my blog.

Wednesday, May 8, 2024

New Backing Track For “Earl's Breakdown”

I made this backing track yesterday for Earl's Breakdown. It's a classic Bluegrass song written by Earl Scruggs and was first recorded and released by Lester Flatt, Earl Scruggs and The Foggy Mountain Boys in 1951. It's done in the key of G. Here is an excellent performance of Earl's Breakdown by Daniel Varadi. Good stuff Mikey!

I used Dave Hum's recording of this song as my template to build off. So if you want to know how the banjo ending licks should go, watch Dave's YouTube video. Dave ends the song differently than the tabs provided below...
I received my Cajon box yesterday and tried to do something percussive with it to add to the track, but I realized quickly that I am going to need some practice before I can get it right. My peripheral neuropathy doesn't help. My hands do something different than what my brain intends...lol.

I used my Gretsch short-scale electric bass for this recording. I learned the acoustic guitar break quickly, since I am good on guitar with the basic G, C, A, and D chords. I hope you like it. This is a great song.

I'm using Cheat-A-Keys from Gold Tone on my Deering Goodtime Special. I have Keith D Tuners on my Recording King Elite 85. I get frustrated often with my Recording King, because the dang thing won't stay in tune. I haven't had tuning issues so far with the Deering Goodtime Special. The arm rest is starting to hurt my right underarm though, because it is only about 1/2" wide (much too narrow).

I did have some issues with the Cheat-A-Keys. At first I installed the device backwards on the banjo headstock, which is an easy mistake to make. If you do, you won't be able to lower the strings anywhere near their proper desired pitch. However, even when I installed the device correctly, it still would not lower string 2 all the way to an A note. It would stay a few degrees sharp and annoy me. I think whoever designed Cheat-A-Keys needs to improve their product, so that it will work with any gauge string. I am using a .012" string gauge on my Recording King (which is what Dave Hum uses), but the Cheat-A-Keys won't lower it all the way to an A note on string 2.

So, I put the Cheat-A-Keys on my Deering Goodtime Special instead and installed a .013" string. It works okay now. So if you use Cheat-A-Keys and have the same issue, use a thicker gauge string. I buy my banjo strings from Amazon for $6.99 a set (medium gauge). I don't like light gauge strings and neither did Dave Hum.

Enjoy the backing track. By the way, you are welcome to share and use my backing tracks anyway you want. I love sharing.

My Deering Goodtime Special and Rittenberry S-10 Pedal Steel

Monday, May 6, 2024

New Backing Track For "Peaches & Cream"

I made a backing track today for one of my favorite songs, Peaches & Cream by Alan Munde.
I use MixCraft Pro to make my backing tracks. What I do is first select the original song that I want to recreate. I then import that song into MixCraft by right mouse-clicking on any blank audio track and selecting “add sound file.” This gives me a template to build my new backing track. I do the same thing with Dave Hum's songs to make a backing track. Once I've imported the song into MixCraft, the first thing I need to do is set my MIDI beats, to give me a pattern to play my bass notes along with. This is the trickiest part of making a backing track, because timing is everything and you need to get the beats right. I always use a kick drum on the main beat, and a tambourine between each beat. And I've learned recently that Dave Hum almost always uses 8 count in beats, the song starts on the 8th beat. I then hold down the “control” button while dragging the percussion track's right edge, to adjust the beats to match that of the original song that I'm imitating. You can actually see the beats visually, which makes it easy to match the MIDI beats to the song's beats.

Once set I turn down the volume of the original song by about 80%, but let it play at a low volume. This allows me to record my new bass notes to match my MIDI beats, but also lets me hear the faint sound of the original song, as a guide so I can record the new bass notes. I play along with the original song for 20 to 30 minutes to learn the bass lines, playing them over and over until I feel comfortable so that I won't make a bunch of mistakes while recording. If I do mess up, I can step record, but I don't want to step record too much. Then I can add piano padding, a mandolin, guitar or whatever I want. This is the main way that I make backing tracks. It works for me. What is nice is that once you make a few songs the process starts going quicker to make new songs. I am having fun as I learn how to make backing tracks. It is exciting to work with music.

I am using a 4-string G2220 Electromatic Junior Jet Bass II Short-Scale that I bought locally from Guitar center for $300 in 2021. I like how it feels and sounds. I am playing through a Fender Rumble 40 amp, going from the line out into the microphone input on my Scarlett USB interface, and then into the USB port on my computer. I use pro MixCraft software to record, which I love using, and it's very affordable.

The acoustic guitar is a student sized Yamaha that I bought on Guam years ago. It plays and sounds nice to me. I didn't pay too much for it, under $200 if I remember well. I plugged the acoustic guitar (with electronics) directly into the Scarlett USB interface, into the 1/4" guitar jack input. There's a knob to adjust the input level.

The percussion is MIDI provided by MixCraft. I just ordered a used Wooden Cajon from Amazon. It normally sells for $195 new, but I got a used one like new for $88. I've been studying Dave Hum's backing tracks and I think he uses a Cajon box, because there's no way he could get the beautiful percussive sounds he does with MIDI. I know that Dave was skilled at playing the bongos. Anyway, when the Cajon arrives I'm going to see what I can do to improve the new track I made today, Peaches & Cream. I might not be able to improve it, but if I think it sounds better, then I will definitely share it with everyone.

Lord willing, over time I plan to make a bunch of backing tracks to share freely. I want to tackle Earl's Breakdown next. Dave Hum's backing tracks to me are superior. In fact, I am dang right impressed. Great fluffy biscuits in the morning!

I'm not a great anything player, but I do my best. After all, it's all about having fun, right. I didn't like how my guitar strumming sounded in the backing track today, so as you can hear I just gave a single strum for each chord change. It think it sounds more professional, rather than me making some discombobulated sounds in the background. My peripheral neuropathy makes it difficult sometimes to play in time. Humbly said, I think the backing track came out purdy good. I hope you enjoy it. I played my banjo along with it and the song works...lol.

I like to share detailed information on how I do stuff, to encourage other musicians to join me in making backing tracks, writing tabs and contributing to the banjo community. I cherish Dave Hum. I've never been a busker, but I have played my steel guitar, guitar and ukulele publicly oftentimes. Here are eight ukulele songs that I made up and recorded years ago, just having musical fun. I use a Roland AC-33 amp when playing in public, which allows me to record a 40 second loop, and then I play lead ukulele or guitar back over those chords. I love doing that.

In nearly all of Dave Hum's backing tracks it sounds like he used some type of acoustic piano for padding. I'm not a piano player, so this has been more challenging for me to recreate. I know where basic chords are on a keyboard, and understand simple music theory. I recently purchased a MIDI controller from Amazon, so I can add piano padding like Dave Hum does. I just have to learn how to do it better.

It's hard to hear what Dave is doing for his backing track, because the banjo dominates the song. But I've been listening to the backing tracks that I purchased recently, from his family, which gives me a basic idea of what Dave does to make his tracks. I wish Dave was still with us. I'd offer to fly to England and gladly pay him to spend a couple days watching over his shoulder, from start to finish, seeing how he makes a backing track. The guy is amazing! It has been said that imitation is the sincerest form of flattery that mediocrity can pay to greatness. Well said. I am thankful that God made Dave Hum. Here's a cool photo of him.

Banjo Lick Of The Week Series

I found this helpful web page by John Boulding with some great banjo licks...
Banjo Video Lessons by John Boulding

This is a really great lick that can be implemented in your playing...

LOTW - Banjo Lessons: Useful licks - A low-position Scruggs lick

I'm having fun learning new licks and playing along with Dave Hum's backing tracks. I am so thankful to Dave's family for sharing these with the world. I hope they'll make many more available. They are worth more than gold to me as a home musician. I am working on making some more backing tracks of my own. I want to make one for Peaches & Cream by Alan Munde. I really like that song. Lord willing, if I do make it, I'll share it with everyone. My neck alway hurts, and I have Peripheral Neuropathy (burning nerves, numbness, radiating arm pain, et cetera), which makes it difficult for me to do anything. One day at a time.

Banjo Ben Clark did a wonderful job playing this song. I really like Ben. A couple years ago, I signed up for 6 months of his monthly banjo lessons. It was only about $25 per month. GOOD STUFF!!! Ben's got some backing tracks also, which is the main reason I signed up. I won't sign up for any lessons that don't include backing tracks, which I need to motivate me. Alan Munde has some tabs for sale on his website, but there are no backing tracks, which is unfortunate.

I am surprised that the BanjoHangout has so little in the way of backing tracks. The one's that do exist are nearly all junky computerized tracks. I was looking in the forum this evening for Earl's Breakdown (I really like that song), but there is no backing track for it. Lord willing, I want to make a track for that song. To play the song correctly, you need a Keith D tuner, or Cheat-A-Keys (to lower string 2). It is a classic favorite Bluegrass song.

I just paid a guy (who makes backing tracks for a living) to make me a backing track for Gaspe Reel the way Dave Hum played it. Dave used the Double C tuning, one of my favorites. When I receive the backing track in a couple weeks, I will share it freely with everyone. So, please come back and visit every so often.

By the way, I really appreciate everyone's interest in my BanjoHeaven blog. I'm a born-again Christian (since age 13 in 1980), so I thought "BanjoHeaven" was an appropriate name for my blog. I just love the banjo, love music, care about people and desire to create and share stuff to encourage, inspire and help other banjo enthusiasts enjoy the instrument more. My main instrument is the steel guitar, so pursuing the banjo is new and exhilarating to me. I'm having a lot of fun learning. Dave Hum is my main inspiration.

I want to record some banjo videos, but I am still learning and working toward it. I just ordered a Hatfield Buck Creek banjo last month. Arthur was very kind when I emailed him. He told me that his wife recently passed away. I shared with him that my wife divorced me in 2006, and I have lived alone and lonely for the past 18 years. He actually expressed empathy and said he hoped that I find a wife. I thought that was sweet of him to care. I'm glad that he is building me a banjo.

Most banjo makers use a CNC machine to make their necks, but Arthur makes all his necks by hand. I really like that. I had originally ordered a Deering Golden Era from Banjo.com in 2022, but that turned into a gigantic nightmare and I never got the banjo. It took me 20 months to get my $4,899 back. I will never buy anything from Banjo.com again! What a horrible place.

From all the reading I've done, I don't think I can go wrong with a Hatfield banjo. I've never read even one negative comment about Arthur or his banjos. So far I am well pleased with doing business with Mr. Hatfield. He said I should get the banjo in about 4 months, but I sincerely told him to take his time. I'll let you know when it arrives, take some pictures and Lord willing, record a song.

I'm working on Mason's Apron now as played by Dave Hum. I love that song. I can only play it at about 70% speed, but I like it slow. YouTube allows you to change the playback speed of videos, which is helpful. I have Dave's backing track for Mason's Apron, which is awesome! I sure hope Dave's family release more backing tracks. If you haven't purchased the 40 now available, I encourage you to get them while you can. You won't be disappointed. They are really great!

That's it for now. God bless.

5 String Banjo Instruction [1967] - Earl Scruggs

5 String Banjo Instruction Album [1967] - Earl Scruggs