Banjo Heaven: Banjo MIDI Songs By Dave Hum

Friday, May 21, 2021

Banjo MIDI Songs By Dave Hum

The following MIDI song files are invaluable! You cannot play a song until you first get the melody into your brain. It is possible, playing chords, to jump into any song and play along, and it will sound good. However, for someone who is familiar with the song, they will quickly realize that you don't know the song melodies unless you play them. Hence, it is important, I think, if you want to become proficient on the banjo, to learn the individual melodies of the songs you want to play.

For some reason Blogspot won't play MIDI files when I click on the link. So, you can open them by either downloading the MIDI file to your computer (right mouse click on the link to save); or, you can copy and paste the link into your browser address bar and hit the 'Enter' button on your keyboard. Enjoy! ...

Here's a Win Zip folder with all 46 MIDI files in it for your convenience to download.

Also, one of my favorite programs is called MixCraft (I use MixCraft 8 Pro Studio), which allows you to edit songs. It is a recording studio as well. I mainly use MixCraft to change the pitch and tempo of songs. You can input these MIDI songs and slow them down with MixCraft, to play along. For example: I just slowed down Dave's MIDI song for Mississippi Sawyer. This allows me to hear the note in my own SLOW time. I'm getting old
at age 52!

Also, YouTube allows users (under “settings” at the right corner of each video) to change the video speed. I've been slowing Dave's songs down to half and quarter speed, to learn the parts, and then play at three-quarter speed until I feel comfortable, and then go at it full speed. This is a very helpful tool to learn to play the banjo. Each and every one of Dave Hum's YouTube videos is an instruction course, if you do what I just said.

Dave Hum used an elaborate program called “Reason.” You can actually download a full working copy of the software for 30 days, which is a great opportunity to see if it works for you. I did try it for free for a couple weeks, but it was way over my head to be honest. I am curious how Dave was able to use Reason to make his tracks, since I couldn't find even one YouTube user who had made Bluegrass or Country tracks with it.

Dave Hum is amazing! Anyway, I simply bought a multi-track Zoom R-8 recording studio to lay down my bass tracks, like Dave does. If you listen to his rhythm tracks, they are extremely simple, usually just using a bass and perhaps some slight percussion, like a tambourine. Here is an example of one of Dave's tracks I tried to emulate. The song is called, Merrily Kiss The Quaker's Wife (fast tempo). Here's the song at medium tempo.

Both tracks are in the key of A, which Dave recorded the song in. Dave loves to play in the key of A, for obvious reasons. You effectively now have a zero-fret feel with the capo. The frets are also slightly closer together. These two advantages right off the bat make playing easier and more comfortable. Like Dave does, I love playing in the key of A.

I made this backing track using an inexpensive 4-string Squire Jazz bass I ordered from Amazon.com for around $200. I also purchased a Fender PJ Mustang bass for about $700 in 2024. But to be honest, I am so pleased with just using MIDI bass that that is pretty much all that I use now. Here is a backing track that I made at a slower tempo in the key of A for the song, 'Merrily Kiss The Quaker's Wife,' using a MIDI bass.

MIDI bass sounds great, doesn't have the annoying fret sounds in my bass playing, and it is 100% accurate. The 'Mixcraft Pro Studio' software that I have always used to make my backing tracks also allows me to add embellishments to humanize the MIDI notes, if I that is what I want (but I haven't used it so far). I love MIDI! I encourage other banjo players to make your own backing tracks (and please freely share as I am with others for the love of music). Dave Hum is right, music is not a competition, it's about having fun.

Listen to Dave Hum's music on YouTube and you'll discover that his driving backing tracks are as much a part of his cheerful and inspiring music as is his magnificent banjo artistry! I am so very grateful to Dave Hum's family for making his backing tracks available for purchase. You need to understand that Dave spent several hundred hours (if not thousands) making these awesome backing tracks. They are worth every penny! I have all 114 of them so far. Praise God! I don't think Dave's family will release anymore of them, but they've wonderfully made most of his iconic songs available, for which I am very thankful. I had to make my own backing track for 'Tobin's Jig,' because they don't have that song available, but that's okay, they're selling 95% of Dave's tracks that I love and wanted to have. Amen and amen!

By God's grace, this has been an ongoing delightful project for me for the past few years, and I have a bunch more banjo backing tracks (in the Dave Hum style) already for upload. I made these tracks for others to freely use and share! Consider them YOURS dear reader. You are welcome to share these backing tracks online, or do whatever you want with them. Just please don't sell them, which would be unethical, since I made them to be shared freely with everyone. I think it is a great way to honor Dave, by keeping his music and style of playing alive!!! And as always, I NEVER take a penny and never will, this is about the love of music! Thank you for reading my blog. God bless you friend!

Dave Hum the man (above), and his 3 classic banjos (below)

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Dave Hum's Banjo Tunings

Standard - gDGBD
Double C - gCGCD
G Modal - gDGCD
G Minor - gDG(Bb)D
Open D - aDF#AD
D Minor - aDFAD
Other D - aDGBD
Reuben's Tuning - f#DF#AD

Dave Hum shines on whatever tuning he plays, but I really enjoy his work on the "Double C tuning" (e.g., Maid Behind The Bar, Gaspe' Reel and Coleman's March.)

Dave says: “I like to set up my three main banjos so I can get a compromise between a dry snapping tight head sound associated with the Bluegrass sound and a mellower warmer tone for the Celtic, old-time and ragtime tunes. I have found that some condensed foam inside the pot helps and a combination of medium strings and a not too tight head with the tailpiece parallel to the head helps me to achieve the tone I like. Each banjo has its own character and tone and I am forever tinkering with them to see what gives - which is half the fun!” (quoted from his website)

My banjo is a Recording King Elite 85 with a maple neck. It has a longer than standard neck, at 27 3/8" verses the standard 26 1/4" neck, which I really like. It is built to exact Prewar Gibson specifications. It has a great tone, but I'd say about 80% of a Gibson. I've learned that much of the tone comes from the player's hands, and not the particular banjo brand that is being played (to an extent). Dave Hum's awesome sound comes from his skilled hands. Dave controls the banjo, masterfully, he doesn't allow the banjo to control him.

I did try the things which Dave mentioned above, like loosening my banjo head, putting a block of foam inside my banjo, setting my tailpiece parallel to the head, and putting on some heavier gauge strings (12,12,16,24,12). The result, after 3 months of playing it that way is that I very much like the foam inside, because without it I get overtones that throw off my ears while playing. The foam trick is brilliant, I think.

I prefer my head tight, so I went back up to between an F# and a G# (when you tap on the head you'll get a pitch to tune the rightness by). On my Recording King, it seems that F# is as high as I can safely get without risking over tightening the head. I kept the tailpiece parallel. My string action is as close as I can get without an annoying buzz. I actually have a very slight buzz (at times), that I don't mind, having the strings nice and close to the neck.

I am learning to pick the strings more firmly, like Dave Hum does, which makes a BIG difference in my tone overall while playing! It is important not to try to play just like Dave Hum; but rather, learn TECHNIQUES from him, and apply those skills to your own playing, and you will become more like Dave that way, than merely trying to copy him.

One thing that I have notice is that Dave KNOWS the songs he is trying to play. It is easy to wing through a song without really buckling down and getting into the nitty-gritty of the tablature, which is a mistake. Learn slow, and then work up your speed playing accurately. YouTube is an awesome tool, which allows you to slow down the speed of any video, so you can see what is going on. For many of Dave's songs, like Mason's Apron, I am still playing it at 3/4 speed, because I cannot keep up with him...lol. That is perfectly okay. Music is not a competition, which Dave Him himself once said. Enjoy!

Dave Hum's sound is in his hands, not the banjo! Dave uses his 1992 ESS Gibson in nearly all of his YouTube videos, but as you will see in this awesome song, “Arkansas Traveller (3),” he is using his ODE banjo. Dave's beautiful sound comes from using proper picking TECHNIQUE, not from using any particular banjo brand. By the way, Dave's ODE banjo was made in Arkansas in the 1970's. No doubt he intentionally used the ODE made in Arkansas on the song “Arkansas Traveller.” Dave's widow told me that he later sold the ODE. Gotta love banjos!

Dave Hum's Banjos

Dave Hum's main banjo is a Gibson ESS (Earl Scruggs's Standard) banjo, a reissue of the original Gibson classic.

Gibson ESS (Earl Scruggs Standard) 1992

SET UP:

Head - Remo
Tailpiece - Fults 1934
Tuners - Keith D (strings 2 and 3) and Scruggs
Strings - D'Addario
Gauges - 12,12,16,24,12
Bridge - Snuffy Smith 5/8
Origin - Nashville, USA
All other parts standard Gibson.

Baldwin Ode Model D '70's

SET UP:

Head - Renaissance
Tailpiece - Fults 1934
Tuners - Keith D/Scruggs
Strings - D'Addario
Gauges - 10,12,16,24,10
Bridge - Moon Lightweight 1/2
Origin - Arkansas, USA
All other parts standard Ode.

Epiphone MB250 '90's

SET UP:

Head - Five Star
Tailpiece - Fults 1934
Tuners - Keith D
Strings - D'Addario
Gauges - 10,12,16,24,10
Bridge - Snuffy Smith 5/8
Origin - Made in China

All other parts standard Epiphone.

Dave uses a Compact 60 AER rechargeable acoustic amplifier, which now costs $1,999, made in Germany. The amp was MUCH cheaper 20 years ago. The amp plugs into the wall to recharge (no replaceable battery). Tommy Emmanuel uses the same amp, but using corded power. These amps were specifically designed for acoustic instruments. However, the amp weighs 29 pounds!

Here is a more affordable alternative for busking, I humbly think.

Dave mics his banjo using a Shure Beta 98D mic with A98D bracket clamp.

What NOT to buy...

NOTE: I bought a “Feather” Goose pickup for $199 and hate it. It whines continually from feedback, and has wires all over, ripping off when I forget they're attached by clip to my waist. The item comes with umpteen parts that you have to assemble, and it is not easy. Please don't waste your money on it!

I recommend using a Gold Tone ABS pickup, which includes a stompbox from Banjo "Ben" Clark.

Music truly does make the world a better place.

Banjo Has A Steep Learning Curve

Like pedal steel guitar (my favorite instrument), the banjo has a steep learning curve. That simply means the hardest part is getting started. If you can stick with it long enough to learn a couple dozen songs fluently, you'll be off to a fantastic start. I learned 5-string banjo fairly quickly, finding out that there are common picking patterns that once learned, overlap into nearly every other song. I encourage you to learn Blackberry Blossom right away, which will teach you melodic runs.

At first my picking fingers stumbled, because my brain wasn't familiar with the tabs. Friend, if you can play even one thing fast, you can play anything fast once you learn it. Also, I learned 30 years ago while learning to play pedal steel guitar, that my brain processed what I learned at night while I am sleeping. You read right! So when you are plowing away, and it seems hopeless like you'll never get it, during the night your brain will process what you've learned. It's similar to workout out in a gym. You don't build muscles at the gym. You lift heavy weights at the gym. But then during the night is when your body builds new muscle.

I also recommend learning the song, Sailor's Hornpipe, which is another great song to learn your melodic runs. After a month I was playing subconsciously, which is called "muscle memory." I didn't stumble anymore when playing melodic runs, because my fingers already knew what to do. Trust me, if you practice for at least a solid hour every day, you'll quickly advance on the banjo, but you must apply yourself to learn the tabs.

What I am about to say is IMPORTANT. Start out going very slow, to accurately pick every note in the tabs. Your speed will increase in time, as you become familiar with the song, and don't have to think what comes next. Dave Hum is a master of chords, progressions and single note scale runs. What makes Dave Hum so different than all the other banjo artists is that he simply follows the chords and does his own thing musically.

I love Dave Hum and could relate to him the first time I heard him play the banjo. The song was "The Ballad Of Jed Clampett." I cried when he started playing those triplets in the second half of the song. I had never heard anything so pretty. It took me awhile to figure out how he is doing those triplets, but it is super easy once you get it. I slowed it down using MixCraft software so I could hear exactly what he's doing. It reminds me of being on a river boat on the Mississippi River.

Friend, when you're as good as you want to be, you're as good as you're going to get! Hawaiian steel guitar legend, Jerry Byrd (1920-2005), taught me that. Anyone can play the banjo if they are willing to work at it. Talent is 10% inspiration and 90% perspiration! Intellect also plays a big part, which I learned about the pedal steel guitar from my musical hero, Lloyd Green.

The best way to learn the banjo, once you have the tabs in front of you, is to study Dave Hum's YouTube videos. I downloaded all of them and converted them into mp3 files for my own use.

BUY 115 OF DAVE HUM'S ORIGINAL BACKING TRACKS

His backing tracks are superior to anything available on the internet that I have found. Those wonderful driving tracks are a wonderful canvas for Dave's awesome banjo artistry. I wish Dave was still with us. He sadly died of cancer at age 46 in 2012. It is quite amazing to me that he had the physical and mental strength to record so many of his greatest banjo videos—with cancer, an eye removed and part of his picking fingers amputated. I thank God for Dave Hum and his cheerful music!

I wrote these words to encourage you dear banjo enthusiast. I used to think I would sound like Dave Hum if I bought a 1995 ESS Banjo like he used. Not so! Dave had an aggressive picking style, taking charge of the banjo, and used amazing advanced techniques. TECHNIQUE is the key word (how he majestically manipulated the strings to get the sounds he wanted). You need to watch his subtleties while he's playing. If your playing doesn't sound like him, then you're not doing something the way he's doing it, and that is technique!

One thing that Dave does is he applies quite a bit of picking pressure on the strings, driving the banjo. That is why he needs to wear metal thumb picks and use Velcro to keep the picks from flying off his fingers!

Make Your Own Backing Tracks

I have purchased several hundred dollars worth of backing tracks available online, AND MOST ARE WOEFULLY LACKING ANY REAL INSPIRATION. Some tracks I've found are superb (like Jay Buckey), but there's just something about the simplicity of Dave Hum's tracks, with just a bass guitar!

If the backing track doesn't move the player, you're not going to “feel” the music! Dave's tracks are profoundly simple and have a happy energy to them, reflective of Dave himself. In my humble opinion, Band-In-A-Box is lame compared to Dave's tracks. If anyone has ever tried to make your own rhythm tracks, then you know how difficult and time consuming it is, so I wanted to share some helpful ideas.

Songs are generally composed of 16 to 32 bars. The first thing you need to do is find a song's chords. I found a helpful website which provides the chords to hundreds of oldtime songs, many of which Dave plays on YouTube. For example: Here are the chords for a jig titled, “Merrily Kiss The Quaker's Wife.” Here is Dave Hum playing the song (awesome). And here are some backing tracts that I made, which you are freely welcome to use and share. By the way, I NEVER sell anything or receive donations. IT'S ALL FREE (as it should be in my humble opinion). All my music is free, and you are encouraged to freely share my backing tracks with others! I am still learning how to make tracks, so I am progressing slowly.

If you'd like to work at making your own backing tracks, as I am doing, you'll need a bass guitar. If you can play guitar, you can definitely play bass, which is simply the four lowest strings on a guitar! Dave Hum's backing tracks are simple, usually just a bass and perhaps a tambourine for simple percussion. Many of Dave’s songs use only a bass guitar.

Buy A Shubb F5 Capo

I really like my Shubb F5 Capo, which stays on the banjo. I had purchase a cheaper Paige banjo capo for about $40, trying to save money, but I hate the thing because it falls off the banjo neck every time I loosen the tension knob. If you're going to spend $40, you might as well splurge and spend the $75. I assure you that you won't be disappointed.

When playing in the key of G, I just loosen the tension nut and slide the capo up over the nut, which works fine. Plus I like the shiny look of the Shubb F5 capo. It is small and easy to use.

I also like that the capo firmly presses the strings down, eliminating any string buzz. I had also purchased some of the cheaper clamp-on type capos for $20 and under, which are okay if that's all you can afford, but you have to play with them oftentimes to get the strings to stop buzzing.

I really like the Shubb F5 Capo!

Banjo Heaven

Friday, May 21, 2021

Banjo MIDI Songs By Dave Hum

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5 String Banjo Instruction [1967] - Earl Scruggs

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