Friday, June 14, 2024

I'm Disappointed With Arthur Hatfield & His Banjo

I finally received my Buck Creek banjo on Wednesday, June 12th at 5:45 pm. UPS left it on the front porch and didn't bother to knock on the door. When I ordered my Deering Goodtime Special, Gear Tree required my signature (the way it should be). Thankfully Arthur sent me a tracking number, so I knew when it was coming, but I wish he had required my signature.

When I opened the box, the banjo case was absolutely filthy, covered in dust from his shop. I gave Arthur the benefit of the doubt, thinking he's just really busy. Keep in mind that I paid $3,000 for this! Albeit, the excessive dust made a poor first impression on me, making me wonder what else unpleasant I might find.

Sure enough, as soon as I opened the case and lifted the banjo out, a loose hex nut fell out on the ground. I removed the pot cover to see where it came from. The nut fell off the tailpiece bolt. The tailpiece hadn't been adjusted (it was sticking all the way up). So, I adjusted the tailpiece, setting it parallel to the head, and then fastened the missing nut back onto the bolt.

I tuned the banjo to standard tuning and went to play it, but the intonation was so bad that it was unplayable. The pitch was too high on all of the lower frets [I recorded this 10 second video of the Buck Creek today with my phone. This video shows me picking string three open (a G note) and then the 4th fret (a B note). You can see how sharp fret 4 is.]

I also recorded this brief audio clip. I begin for the first several seconds strumming the Buck Creek open tuning, so you can hear that it is perfectly in tune. Then I play some of the fretted notes and you can hear clearly how messed up the intonation is. God is my witness that I didn't do anything deceptive, or bend a string, nothing. I'm playing the third string, 4th fret B note, compared to open B on the second string. This is how bad the intonation is on the banjo that Arthur Hatfield shipped to me for $3,000. At his insistence, I sent his shitty banjo back to him yesterday for a refund. I am so disappointed, because I had held high expectations.

I messed with the bridge for a couple hours but couldn't get the intonation right, so I emailed Arthur at 10:45 pm Wednesday evening and told him about the problem. He emailed back and said to use a tuner, and not to rely upon just measuring the distance between the nut and the 12th fret (and the 12th fret to the bridge) to set the bridge position and thus, intonation. I had already used a tuner and a tape measure to set the bridge position, but the intonation was still way off.

I was tired and went to sleep for the night. I woke up today on Thursday and really wanted to get the Buck Creek banjo to work, because I love the sound of the tone. Hatfield's do have a very nice sound to them, but the intonation on the one sent to me was unacceptable. I went onto the BanjoHangout forum and read some helpful comments about solving intonation problems. One member said that the distance between the nut to 12th fret, and 12th fret to the bridge should NOT be equal. So, I set the distance from the nut to the 12th fret at 13.125" and the distance between the 12th fret and the bridge to 13.500". That worked! The intonation was perfect on all of the lower frets, but now the intonation was noticeably way off for all the higher frets. So I tried to adjust the bridge to find a happy medium, but no position solved the intonation problem. The banjo was unplayable. Keep in mind I paid $3,000 for this!

Also, there was a bad buzz on the 4th string. So, I removed the truss rod cover and loosed the truss rod. Unfortunately, Arthur didn't trim the strings close to the tuning pegs, and left 1/2" of sharp metal sticking out, so I cut my hand on one of them; blood was everywhere. I took a photo with my phone and sent it to Arthur, so he wouldn't just think I was making it up that I cut myself. God knows that I wasn't trying to be a Smart Alec, I simply wanted him to know that I got hurt so it wouldn't happen to someone else. I figured a photo of my bleeding finger would be worth 1,000 words. Arthur got upset and didn't even apologize, which is really bad.

Fortunately, the buzz went away on the fourth string after I adjusted the truss rod.

I spent a couple hours messing around with the banjo bridge, trying to position it where the intonation would be correct, but to no avail. When I moved it 1/2 "toward the tailpiece away from where Arthur drew pencil marks on the head, the intonation of the lower strings was okay. At first I was pleased and thought I had solved the issue, but then quickly noticed that all the higher frets were noticeably out of pitch. So I moved the bridge back toward the nut, which caused the higher frets to be correct in pitch, but then all of the lower strings were out of correct intonation (way too high).

As a musician, I cannot enjoy playing any instrument that has poor intonation. I kindly told Arthur, but he didn't want to deal with it. His cold reply was to simply to return the banjo for a refund. Although I appreciate his honesty to refund my money, I would have preferred that he helped me get the banjo right (or offer to let me send it back and fix it). I am saddened about this. I am so disappointed. The whole reason I ordered a banjo from Hatfield is because I had read nice things about Arthur and his banjos online. The last thing I expected for $3,000 was to receive a problematic banjo with very poor intonation.

My Deering Goodtime Special arrived last month with the bridge laying sideways on the head. So, I had to set it up myself, which I didn't mind. Point being, I DO know how to set up intonation on a banjo, because the intonation is accurate on my Deering Goodtime Special. Something is very wrong with the Buck Creek banjo that Arthur sent to me.

Kindly said, quite frankly, the Buck Creek banjo that Arthur Hatfield sent me is crap! I am not speaking for his other banjos, because I cannot comment on any of them. But I can definitely comment about this one banjo that I received and played. It sounded very nice in tone, but was completely unplayable because of the intonation being way off the mark (by at least 15 to 40 degrees above pitch on various strings). I kindly told Arthur that the banjo he sent me is not going to work for me, because it won't play in tune. I was hoping he would suggest a workable fix, but he didn't.

He told me last month that his wife recently passed away, and he is frustrated trying to keep up with the phone calls and emails. I feel sorry for Arthur. I've been praying for him. So, I don't enjoy bad mouthing him, but I need to give an honest review to warn others. I deeply regret ordering a banjo from him. It blows my mind that he would even send me a banjo with improper intonation. As I mentioned, when I received my Deering Goodtime Special last month, the intonation was perfect after I installed and set the bridge. That only took me 10 minutes to do. The Deering Goodtime Special banjo doesn't even have a truss rod (go figure). The intonation is excellent.

The bottom line is that when you pay $3,000 for a banjo (three times more than what Gold Tone and Recording King charge for some of their banjos), you expect something nicer. I bought my youngest daughter a Recording King RK-36 Madison (mahogany neck) in 2019 and the intonation was accurate. I paid $1,199 for it.

When you spend $3,000 for a banjo (which is what I paid for the Buck Creek), the last thing you expect to receive is a filthy case, with parts falling out the moment you pick up the banjo, and the damn thing won't even play in tune because the intonation is way off, and then the builder gets mad at you for complaining to him about it. I'm not saying that Arthur is a bad guy, I have no idea what type of man he is, but he sure blew it with me as a sincere customer. I couldn't have been more kind and understanding. All I wanted was a professional banjo with accurate intonation. Like I said, I love the tone of the Hatfield, it sounds better than both my Recording King Elite 85 and Deering Goodtime Special banjos in tone, but the nicest sounding banjo in the world is totally worthless if it has poor intonation and plays shitty.

I lost over $200 in shipping costs because Arthur sent me a problematic banjo. That's a lot of money to waste. Instead of offering to work with me to fix the problem, he just chose to refund my money. I am disappointed by his attitude, inferior banjo and unwillingness to satisfy me as a sincere customer. From all the online hype about “Hatfield banjos,” I had very high hopes when I purchased a Hatfield banjo, but now I regret that I ever placed the order.

Arthur initially told me that it would take 4 months to build the banjo, with which I was perfectly fine waiting. But then he surprised me by saying it was done after a few weeks. It is obvious to me that Arthur threw this banjo together in a hurry, evidenced by the tailpiece not being adjusted, the nut falling off the bottom of the tailpiece bolt, dust all over the case, the fourth string buzzing from the truss rod being too tight, and that he didn't even check the intonation before it left his shop. If he simply would have played the banjo, he would have noticed the poor intonation and annoying buzz on the fourth string. For $3,000 I shouldn't have had to discover all those problems with my new dream banjo.

Respectfully said, to not even apologize to a customer—when you caused them a bunch of grief, loss of money and for them to cut their finger open on sharp strings you left exposed—is selfish, very bad business and inexcusable. It is also obvious to me that since Arthur has so many customers, he just doesn't care anymore. His last email to me today rubbed it in that he has three customers with money on deposit, waiting for a Buck Creek banjo. If he sends them the shit that he sent me, they won't be happy either.

Arthur even marked the head with a pencil where he determined the bridge should go. This was the intonation at that position. When I moved the bridge toward the tailpiece the intonation improved on the lower frets, but went way off on the higher frets. I couldn't find a workable medium. Something is definitely wrong. For $3,000 I shouldn't have had to mess with the intonation. I kindly told Arthur when I placed the order that he could take as long as he wanted to finish the banjo, but then he rushed it for his own personal reason; and then he horribly gets upset with me with I tell him that the banjo's intonation is unacceptable. 2nd Thessalonians 3:2, “And that we may be delivered from unreasonable and wicked men: for all men have not faith.”

I'd expect a less than positive experience from an inferior Chinese imported banjo, but not from someone like Arthur who is reputed for his Luthier skills and quality. When you pay someone a lot of money for a musical instrument, you expect that instrument to be quality. A musical instrument is a tool to craft music. If that tool is defective it is worthless. If Arthur cannot do a good job right now, then he shouldn't be selling banjos until he feels better.

The fact that Arthur already shipped the banjo with a compensator bridge evidences that he knew there was an issue to start. I have no problem with a compensator bridge, just so long as the intonation is accurate. It wasn't even close on the Buck Creek Hatfield banjo I was sent. The intonation was so bad that the banjo was unplayable.

Quite frankly, I am blown away by the past couple days. I mean, after reading hundreds of positive comments about Hatfield banjos and the man himself, what the hell happened with my order? I tried for hours to adjust the bridge to set the intonation, but nothing helped. No matter where I put the bridge, the intonation was off. Arthur should have offered to fix the banjo and send it back to me, but he just wanted to give me a refund. That is sad.

I didn't even complain to him, I was simply trying to get his help to figure out what was wrong with the intonation, but he got upset instead. He made excuses, saying that the Custom Inlay company that he pays to cut the fret grooves in his necks, uses the same CNC machine that Gibson uses on their banjos. What the hell does that have to do with the fact that he sent me a shitty banjo with bad intonation? It's like he doesn't know what he's doing, so he just blames Custom Inlay. Arthur treated me like garbage as a customer. I did nothing to deserve that abuse from him. I do not recommend Hatfield banjos to anyone. Shame on Arthur.

You know, Arthur Hatfield thinks he is an honest man for refunding my money. But he cost me over $200 in wasted shipping. I didn't want my money back, I wanted a professional banjo that plays in tune. Instead, he sent me garbage that has poor intonation. I wanted to either have him help me get it working, or let me return it for a different banjo, but he refused to work with me. In that sense, he defrauded me. I wasted my time and hundreds of dollars, while he walks away without penalty, which makes him crooked. He should have worked with me, like I wanted, but instead he got angry with me for pointing out his screw ups. That is not a nice man! Proverbs 26:12, “Seest thou a man wise in his own conceit? there is more hope of a fool than of him.”

I don't enjoy writing about a lazy business owner who sent me a sub par defective product. The fact that he got mad at me proves that he is wise in his own conceit. Proverbs 28:11, “The rich man is wise in his own conceit; but the poor that hath understanding searcheth him out.” He likely has been blinded from his past success. I physically received and recognized his errors. Not to mention he didn’t require a signature and the banjo could have easily been stolen. Come on Arthur!!! It seems like he cut corners and doesn’t care about quality anymore. He arrogantly assumes his product isn’t defective. That’s likely why he doesn’t want to ship me a different new banjo. What a bum of a business owner!!! Sounds like it’s a good time for a motivated individual to get into the banjo making business.

Kindly said, Arthur is arrogant and proud, His success has gone to his head in my humble opinion, so that he no longer values individual people. I'm sure some people will be upset with me for posting this, but God knows it is an honest review of a bad situation that shouldn't have happened. It saddens me that I appear to be the first customer to complain about Arthur Hatfield, but it is what it is. I even offered to send another $800 to upgrade to a different banjo, the Stonycreek, if Arthur could guarantee correct intonation on the next banjo, but he refused. That tells me that he lacks confidence in his workmanship. I'm not overly picky as a musician because I actually expect the banjo to play in tune. I feel like I'm in an episode of The Twilight Zone after dealing with Arthur Hatfield.


Tuesday, June 11, 2024

A New Backing Track For “Temperance Reel”

This backing track for “Temperance Reel” came out interesting. I was listening to Dave Hum's three recordings of this song on YouTube, and his album version also. The beat he used reminded me of the song "Jive Talking" by Andy Gibb. So, I went online to see if I could find a drum loop for Jive Talking. I found the actual full-length drum track! Cool. I used the free program Audacity to record it. The end result sounds like The Rolling Stones recorded Temperance Reel...lol. It is fun to play along with and has real drums. Key of G. Enjoy!
I didn't play bass on this track. I started to, but then compared my bass playing to the MIDI, and the MIDI was better. That is sad, I know, when a computer sounds better a musician...lol. I downloaded the free MODO modeling plugin for bass and drums. When installed, it appears in the list of instruments in MixCraft. I can simply choose MODO and get their high quality bass sound for MIDI. The IK Multimedia company sells dozens of different types of bass and drum modeling packs, but they cost $49 each. Yikes! I cannot afford that, so I just use the 1960's P bass that they let you use for free. Free is good! I think the bass sounds very nice! The old adage is very true: If it works, don't fix it.

I also used the MODO drums plugin for the crash cymbal. I patterned the song just like Dave Hum made his backing track. I put a crash cymbal in the same six places that he did. The Jive Talking drum track also has some crash cymbals in it, so there's plenty of nice percussion in the track. I added some audio shaker loops too. Timing is the key.

I'm learning a lot of helpful nice things as I go, which I want to share with others who want to make backing tracks. It's a lot of fun, and I think a great investment both musically and as a fulfilling honest hobby. With all the evil things in this insane world today, I love playing the steel guitar, banjo and other instruments. You couldn't find a purer hobby in my humble opinion than making your own music. Here are some helpful things I recently discovered.

First, there is a cool website called Mugent (short for Musical Intelligence), on which search engine you can find thousands of free audio loops for your music projects.

Second, the website MazMazika provides a free chord analyzer, in which you can paste any YouTube link for a song. When you press the “Process button, the webpage will analyze the song to learn the chords and display them. At the bottom of the webpage you can also watch the chords display over the video as it plays. I play along with my guitar to learn the chords to Dave Hum's songs, and then when I feel comfortable that I know them, go record my guitar into my new backing track. I always use Dave's songs as a template, which makes it easy. After all, Dave is the whole reason that I got back into playing the banjo, because his music is incredibly inspiring and cheerful. I need a lot more of that in my life! Music makes the world a better place. You can clearly see in Dave's videos the amazing impact that his banjo playing and backing tracks have on people and animals. I love the guy like a brother!

Third, I found a really nice website for obtaining thousands of free loops called Looperman. I didn't even sign up, I just use Audacity to record the sounds I want, and save them to a folder that I created on my hardrive called, My Loop Samples.” Then from the Library area of MixCraft I click on the “Import button and link to the folder with all the loops. It's easy to do. If anybody uses MixCraft software and has any questions, I'd be glad to help. There's also lots of helpful instruction videos on YouTube.

Fourth, if you have MixCraft you can search in the program's Library area online for thousands of free audio samples that are in the public domain. Just type what you are looking for and then click the search button. You can hear the loops before downloading them. You can also specify to save it as a favorite, which saves future time when listening through several thousand samples. The loops download right into MixCraft for immediate use. When ready to use, just click and drag the desired loop(s) onto an empty track. It's that simple. MixCraft also has a “Warp” feature that (if you specify) will automatically adjust the loop's tempo to match that of your current project. That way the loop doesn't need to be adjusted to make it fit and sound good.

I think the “Temperance Reel” backing track came out nice. It's something different. At first I was looking for drum loops for folk and Celtic music, but then I realized that Dave sometimes uses rock beats, Latin beats and other interesting drum loops. If you hear his backing track for Acorn Hill it will surprise you. When I listen to him play his banjo with the track, I cannot hear the Latin sound, but without the banjo it is very distinctly Latin. Interesting.

Making backing tracks to me is about being creative with what you have, so I never know what I'll end up with, which keeps it fun and interesting. My goal is to recreate Dave Hum style backing tracks, but they don't always turn out that way. I never thought I'd be using the drum track for Jive Talking by Andy Gibb to make a Dave Hum backing track...lol. There are thousands of free drum loops available online for making backing tracks. Enjoy!

Friday, June 7, 2024

New Backing Track For “My Grandfather's Clock”

“My Grandfather's Clock” is a song written in 1876 by Henry Clay Work, the author of “Marching Through Georgia.” It is a standard of British brass bands and colliery bands, and is also popular in Bluegrass music. Dave Hum plays the tune on the 5 string banjo in Standard tuning (gDGBD); capo 2nd fret, fifth string capo 7th fret for key of A. I used Dave's performance as a template to make my backing tracks in the keys of A and G. John Kuhn does a superb job playing this tune on his Fender Banjo. Enjoy!
I used a MIDI piano, like Dave did. The notes are easy to enter, it's just a tedious process. I use my MIDI controller keyboard to see which notes I need to enter (as I press the keys I want and watch the computer screen), which speeds up the process. Getting everything perfectly timed is the most important part. MixCraft makes that easy to visually do, fortunately. It's a simple matter of holding down the “Ctrl” button while dragging the corner of any audio or MIDI clip to adjust the tempo, aligning all your tracks. That's a feature I love about MixCraft.

I used the same “Rattle Shake” (instead of Rattle Snake) at the end, which I used on the “Merrily Kiss The Quaker's Wife” backing track. I think it sounds really nice. I added a few audio loops of shakers, bongos and a tambourine. I've noticed that Dave Hum makes extensive use of percussion loops in his backing tracks, which really enhances them. And of course, I added a nice grandfather's clock in this track, which I found online while searching for “grandfather clock loops...lol. If you can hear it online, you can record it with the free program Audacity, which I use all the time. With Audacity you can export recordings as .wav, mp3 and about a dozen formats. It's all free!

You can then import those new sounds into a Digital Audio Workstation (DAW), like MixCraft. 

My Final Opinion Of Ableton Live 12

By the way, I messed around with Ableton Live 12 all week, trying to make a backing track. The program has so many software bugs in it that I finally gave up. I uninstalled the trial software from my computer. What a horrible program! The latency has serious issues. My bass recordings were playing later in time than the drums. I tried repeatedly to adjust the buffer size and latency, but nothing worked. I've never had any of these issues with MixCraft in over 10 years of using the program.

Ableton's tech support said to always use ASIO drivers when available, but when I tried that nothing would record. So I had to go back to using the Direct X drivers. Plus, Ableton costs a lot more than MixCraft. Other than the helpful groove beats and tones of audio samples (if you're willing to spend $439), Ableton doesn't offer anything that MixCraft cannot do. So why should I purchase it? MixCraft's top edition only costs $149.

Then Ableton repeatedly erased my previous recording's for no apparent reason, wasting my time. Trying to adjust the track timing is a nightmare for MIDI. I did a lot of reading online and learned that Ableton has never fully supported MIDI, which is a major problem with their software. For a company based in Germany I am surprised. Usually they make quality stuff in Germany. In my humble opinion, Ableton is NOT user friendly. I watched dozens of YouTube videos, but none of them addressed the issues I ran into.

One thing that I love about Ableton is their groove samples. You simply choose a groove and drag it into your session workspace, and then it automatically sets your drums and loops to that groove. This is a very helpful tool for people like me who aren't familiar with all the different styles of music.

Another thing that I really like about Ableton is that if you buy the $439 edition of the program, you get 38 GB of loop samples. For $749 you can get the best edition, which comes with 71 GB of loop samples. But that's way too much money. The lowest edition is $99, but you only get 5 GB of loop samples. I wish that MixCraft would offer more loop samples. Still, MixCraft 10 comes with 7,500 loop samples. For what I am doing, making backing tracks for the banjo, I now have all the loop samples that I need (but I'm always on the lookout for more folk samples). God willing, I plan to check out some more DAW's (FL Loops, Pro Logic, et cetera).

Thanks for reading my banjo blog. I hope you're enjoying the backing tracks as much as I am making them. I love sharing.

Wednesday, June 5, 2024

A New Backing Track For “Golden Slippers”

Here is another one of my favorite songs that Dave Hum plays. Dave played the song in the key of G, so you won't need any capos; but I've also made backing tracks in the key of A if you want them. “Oh, Dem Golden Slippers” is a minstrel song penned by African-American James A. Bland in 1879, is particularly well known as a Bluegrass instrumental standard. By 1880, the song had exceeded 100,000 copies sold. Enjoy!
For the preceding tracks I used a MODO VST3 plugin for a realistic bass. I used MIDI for the piano, keyboard and percussion. Real audio loops were used for the shakers, cymbals and tambourine. I use 'Mixcraft Pro Studio' to make my backing tracks.

Here are the older backing tracks that I made in June of 2024 only in the key of G...
I didn't have any problems with the guitar playing in this song, which uses only chords G, C and D. On these original tracks I am playing my Fender Mustang bass. Thankfully, I have hundreds of different interesting audio loops to choose from, so it's sometimes challenging to pick one that fits well, but as long as they are timed correctly they usually work well.

I also used a tambourine audio loop instead of MIDI, which I think sounds nice. And I've just discovered djembes, an African type of drum, which I also put in the song. I love all these old folk, Irish and fiddle songs that Dave Hum recorded. This is real music!

Dave Hum
(April 11, 1966 - November 14, 2012)

Monday, June 3, 2024

A New Backing Track For “Merrily Kiss The Quaker's Wife”

I had fun making this backing track for “Merrily Kiss The Quaker's Wife.” I used Dave Hum's recording as a template. This is one of my favorite songs to play, that is, Dave Hum' beautiful arrangement. On his Volume 2 album, Dave Hum uses an intro, and also in this video. But in this video he skips the intro. I didn't figure it out at first, but Dave is using the same exact backing track in the different versions, he just starts off the song differently sometimes. He'll either play some harmonics first, or jump right into the song, but it's the same backing track. This song is done in the Key of A, standard tuning. I also made backing tracks in G for your preference. Enjoy!
I have difficulty playing bar chords on guitar on faster tempo songs. I've tried to record at a slower tempo, and then speed the song up later on, but the guitar doesn't sound right. But I learned something helpful today about playing my guitar to make backing tracks. For example: “Merrily Kiss The Quaker's Wife” is done in the key of A. This song uses the chords A, D, E, F#m, Bm and B. Playing A, D and E are no problem, but F#m, Bm and B are difficult for me because they require bar chords.

I was frustrated trying to get the bar chords right while playing at an up tempo speed. But then it dawned on me that I could put a capo on the 2nd fret of my guitar, and then play A, D and E using the G, C and D chord positions that I am so familiar with without a capo. I am good at playing those chords. And now whereas I usually play an A minor without a capo, with a capo on the 2nd fret I now have the B minor that I needed (and it's easy to play without having to do any bar chords). E minor without a capo is now F# minor with a capo on the 2nd string. I will remember this nifty little trick in the future. It worked wonderfully in this backing track.

I used MIDI for the bass and piano parts. I used a grand piano. You don't need a lot of piano skills. In fact, I just played single piano notes in this song. I also used various real audio loops for the shakers, tambourine and djembe. I love the tambourine rattleshake (rattlesnake) at the end. I was just looking around for free loops on the internet and found that one, which fit perfectly at the end of the song.

Dave Hum (1966-2012)

Saturday, June 1, 2024

I Added A Shaker To “Whisky Before Breakfast”

I really love playing Whisky Before Breakfast the way Dave Hum beautifully plays it in Double C tuning (gCGCD). It's done in the Key of D, so you'll need to put a capo on the 2nd fret, and also on the 7th fret of the 5th string. I did my best to tab it out exactly like Dave played it on his album. I hope you'll enjoy it as much as I do.

These first tracks I improved in January of 2026. They have a delayed bass at the beginning, which I think sounds nice. I'm using a MODO VST3 plugin for a realistic bass. I used MIDI for the piano and percussion, and real audio loops for everything else. I'm playing my Cort acoustic guitar and Eastman 505CC mandolin. Enjoy!
Here are the same 2026 backing tracks, but with a full bass throughout the entire song...
Here are the older backing tracks from 2024...
I made those tracks the other day. Today I was looking online for more useful loops for folk songs for MixCraft and found “Drums On Demand.” The pack that I bought for $49 was “Essential Acoustic Percussion Loops,” which includes 775 loops. Once you buy them, you can import the folder from the Library area of MixCraft. I created a new folder and named it “Drums On Demand” to store the new loops in. Then I imported that new folder into MixCraft.

I wasn't satisfied with the intro guitar parts for Whisky Before Breakfast, so I redid them. I also added loops: “Fruit Shaker_120_8 and One ShotHits_150_816,” to the song from the new Drums On Demand loops that I bought today. Here they are. Enjoy!
I'm not anywhere near as graceful in my banjo playing as Dave is. I struggle with the single note picking at higher speeds, but in time I should become more fluent at it with experience. In particular, my pinky is weak on my left hand. On the Double C tuning, you need you're pinky to play the fifth note on the fourth string. If you watch Dave Hum play Whisky Before Breakfast, he uses his pinky on string four to play the 5th fret. That's going to take me some time to do.

I watched a helpful video yesterday by Enda Scahill (an artist on the 4-string Tenor banjo) titled, The 7 Biggest Mistakes You're Making In Your Banjo Practice. I recommend watching it. I like what Enda says about not tensing up while playing, which I tend to do sometimes when trying to keep up with Dave's speed. And also not to practice too long and burn out, or to play too fast too soon. Learning to play a new song at snail speed is the fastest way to get fast, because then you know exactly what you're doing.

Also, I like what Enda saysPractice doesn't make perfect, perfect practice makes perfect. If your technique is wrong, you'll never get better no matter how much time you spend playing. When you're as good as you want be, you're as good as you're going to get.

On a grateful note, Arthur Hatfield just emailed to let me know that my Buck Creek banjo is finished. Amen for that! This will be the first professional banjo I've ever owned. I don't consider my Chinese made Recording King Elite 85 a professional banjo. It doesn't stay in tune very well. I just had it setup at a local music store, but I must have done a pretty good job myself of setting it up previously, because it doesn't sound any different. Actually, they tightened up the head for me, but I think I am going to loosen it again, like Dave Hum does. If you read his comments about his banjos, Dave sets his head looser to accommodate the folk songs that he plays, but still keeps it tight enough for the Bluegrass songs.

Dave Hum states about how he sets his banjos:
“I like to set up my three main banjos so I can get a compromise between a dry snapping tight head sound associated with the Bluegrass sound and a mellower warmer tone for the Celtic, old-time and ragtime tunes. I have found that some condensed foam inside the pot helps and a combination of medium strings and a not too tight head with the tailpiece parallel to the head helps me to achieve the tone I like. Each banjo has its own character and tone and I am forever tinkering with them to see what gives - which is half the fun!”—Dave Hum (1966-2012)
I bought a Deering Goodtime Special (it comes with a tone ring) not too long ago for $1,099 from GearTree on Amazon (which came with a nice case, polishing cloth and a music stand), and I actually like that banjo better than my Recording King, because it stays in tune and has excellent intonation. I had to install a 3/8" Compensator Bridge on my Recording King because the intonation was off. The compensator bridge does help.

Anyway, I like my Recording King, but knowing it was made in China makes it feel cheap to me, so I don't enjoy playing it as much. Moreover, it just lacks the sound I desire. I've been enjoying the Goodtime Special more, which was made in California, but it's still not a professional banjo (which Deering will be the first to admit). Having said all that, I look forward to playing a Hatfield for the first time. If I'm not satisfied with it, then I will likely contact Banjo “Ben Clark about possibly finding me an ESS Gibson like Dave Hum had. Dave's was a 1992 model. I realize that Dave's superb sound is 90% from his hands, but the banjo does make a difference.

Having said that, in this awesome video of Arkansas Traveller, Dave is playing his Ode banjo, which was manufactured in the 1970's in Arkansas (I think that's why he chose to play this banjo for this song...lol). By the way, Dave's family is selling this actual backing track and many more, which I think every banjo player should get. I am really hoping that Dave's family will release many more of his backing tracks, because they are superbly made. My backing tracks don't compare, but I'm trying. Dave inspired me to make this blog and my own backing tracks. I love his music and share his passion for the banjo. What a cool guy!

Dave Hum (1966-2012)

Review Of The Deering Goodtime Special Banjo

I originally published this review on June 1, 2024. I updated it on June 14, 2024. I recently bought a Deering Goodtime Special for $1,099 from Amazon.com in April from GearTree. They included a free sturdy gig bag, quality music stand and a polishing cloth. I like the sound of the banjo. It stays in tune much better than my Elite 85 Recording King banjo made in China. The Deering Goodtime Special pot (it's not the 06) has a nice tone to it, but it's not a professional banjo, so keep that in mind. It's not a toy either, far from it.

I purchased a Hatfield Buck Creek banjo and received it this past week. What a piece of crap! The intonation was so messed up that I couldn't get it to work. I ended up sending the banjo back to Arthur Hatfield for a $3,000 refund. I sincerely don't think Arthur even bothered to play the instrument before boxing it up to ship to me, because if he had he would have heard how bad it sounded. The tone was very nice (better than my Deering Goodtime Special and Recording King Elite 85 in fact), but the nicest sounding tone is worthless if the instrument won't play in tune properly. Since experiencing how crappy the intonation was on the Hatfield Buck Creek banjo I was sent, I have begun to really appreciate my Deering Goodtime Special, which has excellent intonation. I've had so much enjoyment playing my Deering.

By the way, when I received the Deering from Gear Tree on Amazon, and first opened the case, the bridge was laying sideways. I didn't mind setting the bridge position and intonation myself. It was easy and has been very accurate since. But I couldn't get the Hatfield to adjust because something is wrong with the banjo. Instead of working with me to fix it, Arthur just insisted that I return the banjo for a refund. I thought that was absolutely rotten of him, because I really wanted a banjo from him and he knew it. Some people are just mean.

Regarding the Deering Goodtime Special, some players have complained about the narrower 1/2" metal armrest, that it irritates them, but I have played the banjo nearly every day since I got it several weeks ago. The arm rest did bother my arm when I was getting used to it for a week or so, but it doesn't bother me anymore. I ordered a nice wooden arm rest last year from Ross Nickerson for my Recording King Elite 85, which I really like.

I bought this nice banjo strap for the Goodtime Special, which I like because it has a convenient metal clip to connect to the J-hooks. I have a much thicker padded strap on my Recording King, but it was made for guitar, so I had to improvise a bit to make it work.

My New Deering Goodtime Special Banjo w/Tone ring
(you can see from the worn head that I've been playing it)

The biggest thing that disappointed me about the Goodtime Special is that although Deering's website says the Goodtime Special weighs 5.5 lbs. It actually weighs 9.5 lbs. I don't like that Deering doesn't disclose upfront that their Goodtime Special banjo with a tone ring actually weighs almost 10 pounds. Albeit, compared to my 12.5 lb. Recording King, the Goodtime Special banjo seems considerably lighter, which I appreciate.

Having said that, I really like the Goodtime Special. I love the bare wood finish on the neck and headstock. It's cheerful looking to me. It came with light gauge strings, but I put some medium gauge strings on it. On his 1992 Gibson ESS Dave Hum also used medium gauge strings (from 1st string to high 5th: 12, 12, 16, 24, 12). I like these GHS strings from Amazon. The gauges are (from 1st string to high 5th: 11, 13, 16, 26, 10). I like that the low 4th string is bronze looking, which looks nice. I put Dave's gauges on my Recording King. Music stores don't sell string sets with Dave's gauges, nor does Amazon sell those string gauges individually, so I needed to order them special from a string warehouse.

I haven't had tuning issues so far with the Deering Goodtime Special. Here is a photo of my Recording King Elite 85 banjo with the wooden armrest that I bought from Ross Nickerson in Arkansas a couple years ago. ...

Wooden Arm Rest On My Elite 85 Recording King Banjo

The more expensive Deering models have the coveted 06 tone ring. I would love to play Deering's Golden Era, Rustic Wreath and Calico banjos. Someday I might fly from Pensacola to Atlanta, Georgia to the Banjo Warehouse to play a bunch of different banjos and buy one. I love the emanating sound of the Calico. However, in my humble opinion all of Deering's banjos are way overpriced! They're charging what they do because they can.

The intonation is very accurate on my Goodtime Special. The bridge was completely off when I received the banjo. So, if you purchase one, you'll likely need to get a tape measure and set the bridge in place, putting an equal distance from the 12th fret to the nut, and the 12th fret to the bridge. There is NO TRUSS ROD on the Goodtime models, but you don't need one because the hard rock maple is solid.

Because the intonation was off a bit, I had to go buy a compensator bridge from Amazon for my Recording King Elite 85. I paid $1,799 for the banjo in 2018 (from Ross Nickerson). The 5/8" compensator bridge did the trick. There's also a 1/2" height compensator bridge, so make sure you order the right one. I ordered the wrong one the first time.

In summary, the Goodtime Special is a really great first-time banjo. For a parent wanting to buy a banjo for their child, I'd definitely recommend buying one of the Goodtime models, so at least they won't get discouraged playing a piece of junk from China that is inferior. But make sure your child can handle the 9.5 pound Goodtime Special before you buy it. For teens it should be fine, but for a younger child I would recommend the Goodtime 2, which weighs a few pounds less. Deering's Goodtime models are superior in design and materials used. These banjos actually use violin grade maple wood, which to my knowledge no other banjo in the $1,000 price range uses.

Kindly said, to me the Chinese import banjos are nothing more than a bunch of parts thrown together, and you can hear (or better said, not hear) the quality of timbre in the music. TONE IS EVERYTHING FOR A MUSICIAN. There's about 50 things that go into obtaining a good tone. Ultimately, tone is the connection made between your soul and the soul of the audience. No matter how great your musical arrangement and skills may be, if the tone is lacking you won't be able to make that heart-to-heart connection which many musicians like myself seek.

Case in point, show me one professional banjo artist who plays a banjo from China. Bela Fleck (born 1958) promotes Gold Tone banjos, but I recently saw him playing a Gibson. Please keep in mind that I am not experienced with banjos, but I have been a musician all my life. I know quality when I hear it. I am familiar with steel guitars. There's no lapsteel today with a tone that can compare to the old Rickenbacher Bakelite lapsteel with a horseshoe pickup. I have two of them, a 1936 pre WW2 model, and a 1953 post WW2 model. I love them both!

I also have a 1937 Silver Hawaiian Rickenbacher with a horseshoe pickup, but it doesn't have the tone that the Bakelite's do. In fact, someone stuffed newspaper inside the body to reduce the metallic sound...lol. I removed the newspaper and put polishing cloth in there instead. Hawaiian music with a steel guitar will always be my first love of music, and the old country music of the 1970's which was saturated with pedal steel guitar. Today's music is 99% garbage! And I love the banjo of Dave Hum. He rekindled my love of the 5-string banjo. I sure hope to meet him in Heaven! Albeit, I have no idea what he believed about Jesus Christ, who according to John 14:6 is the ONLY way to get to Heaven.

If you want a lighter banjo, the Deering Goodtime Special is a bit lighter than standard banjos with heavy bronze tone rings. The cheaper Goodtime banjos don't have a tone ring, so they are even lighter, but I personally always want a tone ring. My music friend Anurakt Scheepers in the Netherlands does an amazing job with a non-tone ring Goodtime banjo. He actually inspired me to buy a Goodtime banjo, which I don't regret. It's a nice quality banjo for the price.

I do wish that higher-end quality banjo prices would drop significantly like guitar prices have. I only paid $130 for my Cort acoustic guitar new from Guitar Center in 2022 and it sounds and feels awesome. That's the one that I dropped and cracked a couple weeks ago. I have since bought Strap Locks for all my instruments. Any banjo under $500 will assuredly sound like a cheap tin can with strings on it. The more expensive banjos have a resonance, sustain and lushness to them. They have that "boing" sound as I call it...lol.

Also, keep in mind that Deering does NOT include a case of any type with this banjo. I ordered my banjo from GearTree through Amazon and they did include a nice sturdy hard gig bag. And please don't buy a Goodtime Special from Deering, because they will charge you $1,219, ripping you off. Some customers have been hurt and offended when they learned that they could have saved $120 by buying elsewhere. I don't like that Deering does this to people.

The bottom line is that I don't think you'll be disappointed if you buy a Goodtime Special, if you keep in mind that it is a bare bones banjo, not a professional instrument. It is the most bang for your buck you'll get on a student model. It wasn't intended by Deering to substitute for a $5,000 Golden Era; but rather, to put the most banjo for the money possible into the hands of students and folks who simply cannot afford an expensive banjo. In that regard, it lives up to its reputation as a quality banjo. Can we ever have enough banjos?

In summary, my Deering Goodtime Special so far is my favorite banjo that I have played. I love the accuracy of the intonation, and the sound is not bad at all. I really like the bare natural wood neck, which is pleasant to look at. You won't be disappointed if you get this banjo, but just keep in mind that the more expensive Deering banjos do sound nicer because they have the 06 tone ring. Still, the tone is very nice on the Goodtime Special.

That reminds me of a joke I heard recently. Two older men were talking. One man said that his doctor told him not to buy any more banjos past 65. The other man asked what's wrong with buying another banjo past 65? He replied that 65 banjos is enough for anybody!!! I thought that was funny. I told the joke to some folks at church for our Easter Sunrise service, but no one laughed. I guess it was too early in the morning...lol. Thanks for reading my blog.

5 String Banjo Instruction [1967] - Earl Scruggs

5 String Banjo Instruction Album [1967] - Earl Scruggs