Banjo Heaven: Waiting For New Deering Sierra Mahogany Banjo

Sunday, September 18, 2022

Waiting For New Deering Sierra Mahogany Banjo

Thank you to all my BanjoHeaven fans for your continued interest in my blog. I haven't been posting many blogs, simply because I've been busy picking the 5-string banjo! When I lived on Guam I spent my time playing the Hawaiian lap steel guitar. My first love will always be the pedal steel guitar. But since I've moved to Pensacola (in the deep south) in July of 2021, my love for Bluegrass music has been rekindled. I've been working on my banjo picking mostly.

Dave Hum (1966-2012) started playing the banjo in 1996, when his father-in-law handed him an old banjo, and the rest is history! It is amazing how fast he progressed on the banjo. I love that man! I pray for his wife and daughters in Salisbury, England regularly. They have a rich heritage to be proud of in Dave's music. I humbly want to do what I can to help preserve Dave Hum's musical legacy. As a lifetime musician myself, I rarely find music that inspires me. I'm talking about music so special that even after hearing it hundreds of times, you never get tired of hearing it.

Anyway, let me share some interesting things with you friends. By God's goodness and grace, I ordered a new Deering mahogany Sierra banjo back on May 2nd from Banjo.com for $2,799. Deering's Sierra line is backordered. So I need to just be patient and wait. Even Guitar Center is only taking reservations for the Sierras, backordered as well. I figure it is worth the wait for a new banjo fresh off the assembly line! I ordered it from Banjo.com because I am trusting Barry Waldrep, that his workers will correctly install the 7th street railroad spike.

I've never played a Deering banjo, but I've read only good reviews. Like most everyone else, I dreaded spending $3,000 for a banjo, but after seeing Jens Hans Kruger's $15,999 banjo, I feel fortunate...lol. I love Hans' playing. By the way, Jens teaches a free masterclass on YouTube, which is definitely worth watching.

Deering Sierra Banjo

For now I am playing a Recording King Elite-85 (maple neck), which I bought from Ross Nickerson back in 2018 for $1,795. That is my only banjo. I really like my RK. It has a bone nut, longer than standard 27 3/8" scale, pretty curly maple resonator, and I love the mother of pearl heart and flower inlays. It is a replica of the prewar Gibson Mastertone. Yesterday evening I put new strings on it, tightened the head (it was fairly loose), tightened up a loose coordinating rod in the pot that was rattling at the nut, used mother's chrome polish that I bought from Auto Zone to polish the metal, and it sounds great! But I need to buy a compensator bridge, because my G string is sharp at the 12th fret (but the other strings are in tune). I am looking forward to comparing the mahogany neck 26 1/4" Deering Sierra, to my maple neck 27 3/8" Recording King. I think every banjo player should have at least 3 banjos!

I really wanted a banjo that wasn't made in China. Hence, Deering. I was sad to learn that Stelling banjo is closing their doors after 48 years. Gibson's banjo factory was completely destroyed in 2010, when the Cumberland River overflowed in Nashville. Gibson didn't think it was worth reinvesting in another factory. Dave Hum's main banjo was a 1992 ESS (Earl Scruggs's Standard) banjo. I am curious about Hatfield and Huber banjos. I've never played either. I love banjos!!!

I heard Jason Skinner make a great statement today in one of his videos: “Good tone is 90% the player and 10% the banjo.” I agree with that. If you watch Dave Hum play the banjo, he picks with authority, taking charge of the instrument. That makes a big difference in tone. He can do that because he knows exactly what he is going to play next. In sharp contrast, newer players tend to “wing it,” just grabbing a handful of strings...lol.

I read a very helpful comment recently by Barry Hunn on Deering's website: “When you practice slow, you learn fast.” That is so true! I know because it works for me. When I play a new song very slowly, following the tablature exactly, to make sure that I get every note just right, then I KNOW what I am doing. So as I play those exact notes and slowly get faster, I know that I am doing it right. That is the only way to properly build accuracy with speed. Thanks for reading.

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Dave Hum's Banjo Tunings

Standard - gDGBD
Double C - gCGCD
G Modal - gDGCD
G Minor - gDG(Bb)D
Open D - aDF#AD
D Minor - aDFAD
Other D - aDGBD
Reuben's Tuning - f#DF#AD

Dave Hum shines on whatever tuning he plays, but I really enjoy his work on the "Double C tuning" (e.g., Maid Behind The Bar, Gaspe' Reel and Coleman's March.)

Dave says: “I like to set up my three main banjos so I can get a compromise between a dry snapping tight head sound associated with the Bluegrass sound and a mellower warmer tone for the Celtic, old-time and ragtime tunes. I have found that some condensed foam inside the pot helps and a combination of medium strings and a not too tight head with the tailpiece parallel to the head helps me to achieve the tone I like. Each banjo has its own character and tone and I am forever tinkering with them to see what gives - which is half the fun!” (quoted from his website)

My banjo is a Recording King Elite 85 with a maple neck. It has a longer than standard neck, at 27 3/8" verses the standard 26 1/4" neck, which I really like. It is built to exact Prewar Gibson specifications. It has a great tone, but I'd say about 80% of a Gibson. I've learned that much of the tone comes from the player's hands, and not the particular banjo brand that is being played (to an extent). Dave Hum's awesome sound comes from his skilled hands. Dave controls the banjo, masterfully, he doesn't allow the banjo to control him.

I did try the things which Dave mentioned above, like loosening my banjo head, putting a block of foam inside my banjo, setting my tailpiece parallel to the head, and putting on some heavier gauge strings (12,12,16,24,12). The result, after 3 months of playing it that way is that I very much like the foam inside, because without it I get overtones that throw off my ears while playing. The foam trick is brilliant, I think.

I prefer my head tight, so I went back up to between an F# and a G# (when you tap on the head you'll get a pitch to tune the rightness by). On my Recording King, it seems that F# is as high as I can safely get without risking over tightening the head. I kept the tailpiece parallel. My string action is as close as I can get without an annoying buzz. I actually have a very slight buzz (at times), that I don't mind, having the strings nice and close to the neck.

I am learning to pick the strings more firmly, like Dave Hum does, which makes a BIG difference in my tone overall while playing! It is important not to try to play just like Dave Hum; but rather, learn TECHNIQUES from him, and apply those skills to your own playing, and you will become more like Dave that way, than merely trying to copy him.

One thing that I have notice is that Dave KNOWS the songs he is trying to play. It is easy to wing through a song without really buckling down and getting into the nitty-gritty of the tablature, which is a mistake. Learn slow, and then work up your speed playing accurately. YouTube is an awesome tool, which allows you to slow down the speed of any video, so you can see what is going on. For many of Dave's songs, like Mason's Apron, I am still playing it at 3/4 speed, because I cannot keep up with him...lol. That is perfectly okay. Music is not a competition, which Dave Him himself once said. Enjoy!

Dave Hum's Banjos

Dave Hum's main banjo is a Gibson ESS (Earl Scruggs's Standard) banjo, a reissue of the original Gibson classic.

Gibson ESS (Earl Scruggs Standard) 1992

SET UP:

Head - Remo
Tailpiece - Fults 1934
Tuners - Keith D (strings 2 and 3) and Scruggs
Strings - D'Addario
Gauges - 12,12,16,24,12
Bridge - Snuffy Smith 5/8
Origin - Nashville, USA
All other parts standard Gibson.

Baldwin Ode Model D '70's

SET UP:

Head - Renaissance
Tailpiece - Fults 1934
Tuners - Keith D/Scruggs
Strings - D'Addario
Gauges - 10,12,16,24,10
Bridge - Moon Lightweight 1/2
Origin - Arkansas, USA
All other parts standard Ode.

Epiphone MB250 '90's

SET UP:

Head - Five Star
Tailpiece - Fults 1934
Tuners - Keith D
Strings - D'Addario
Gauges - 10,12,16,24,10
Bridge - Snuffy Smith 5/8
Origin - Made in China
All other parts standard Epiphone.

Dave uses a Compact 60 AER rechargeable acoustic amplifier, which runs roughly $1,000. The amp plugs into the wall to recharge (no replaceable battery). I just run my MP3 player through my JBL Xtreme speaker using Bluetooth, and don't mic the banjo. There's really no right or wrong equipment set up, whatever is available and works is fine with me.

Dave mics his banjo using a Shure Beta 98D mic with A98D bracket clamp. What NOT to buy...

NOTE: I bought a “Feather” Goose pickup for $199 and hate it. It whines continually from feedback, and has wires all over, ripping off when I forget they're attached by clip to my waist. The item comes with umpteen parts that you have to assemble, and it is not easy. Please don't waste your money on it!

Music truly does make the world a better place.

Banjo Has A Steep Learning Curve

Like pedal steel guitar (my favorite instrument), the banjo has a steep learning curve. That simply means the hardest part is getting started. If you can stick with it long enough to learn a couple dozen songs fluently, you'll be off to a fantastic start. I learned 5-string banjo fairly quickly, finding out that there are common picking patterns that once learned, overlap into nearly every other song. I encourage you to learn Blackberry Blossom right away, which will teach you melodic runs.

At first my picking fingers stumbled, because my brain wasn't familiar with the tabs. Friend, if you can play even one thing fast, you can play anything fast once you learn it. Also, I learned 30 years ago while learning to play pedal steel guitar, that my brain processed what I learned at night while I am sleeping. You read right! So when you are plowing away, and it seems hopeless like you'll never get it, during the night your brain will process what you've learned. It's similar to workout out in a gym. You don't build muscles at the gym. You lift heavy weights at the gym. But then during the night is when your body builds new muscle.

I also recommend learning the song, Sailor's Hornpipe, which is another great song to learn your melodic runs. After a month I was playing subconsciously, which is called "muscle memory." I didn't stumble anymore when playing melodic runs, because my fingers already knew what to do. Trust me, if you practice for at least a solid hour every day, you'll quickly advance on the banjo, but you must apply yourself to learn the tabs.

What I am about to say is IMPORTANT. Start out going very slow, to accurately pick every note in the tabs. Your speed will increase in time, as you become familiar with the song, and don't have to think what comes next. Dave Hum is a master of chords, progressions and single note scale runs. What makes Dave Hum so different than all the other banjo artists is that he simply follows the chords and does his own thing musically.

I love Dave Hum and could relate to him the first time I heard him play the banjo. The song was "The Ballad Of Jed Clampett." I cried when he started playing those triplets in the second half of the song. I had never heard anything so pretty. It took me awhile to figure out how he is doing those triplets, but it is super easy once you get it. I slowed it down using MixCraft software so I could hear exactly what he's doing. It reminds me of being on a river boat on the Mississippi River.

Friend, when you're as good as you want to be, you're as good as you're going to get! Hawaiian steel guitar legend, Jerry Byrd (1920-2005), taught me that. Anyone can play the banjo if they are willing to work at it. Talent is 10% inspiration and 90% perspiration! Intellect also plays a big part, which I learned about the pedal steel guitar from my musical hero, Lloyd Green.

The best way to learn the banjo, once you have the tabs in front of you, is to study Dave Hum's YouTube videos. I downloaded all of them and converted them into mp3 files for my own use. Play along with his songs. I so much wish Dave's backing tracks were available. His backing tracks are superior to anything available on the internet that I have found. Those wonderful driving tracks are a wonderful canvas for Dave's awesome banjo artistry. I wish Dave was still with us. He sadly died of cancer at age 46 in 2012. It is quite amazing to me that he had the physical and mental strength to record so many of his greatest banjo videos—with cancer, an eye removed and part of his picking fingers amputated. I thank God for Dave Hum and his cheerful music!

I wrote these words to encourage you dear banjo enthusiast. I used to think I would sound like Dave Hum if I bought a 1995 ESS Banjo like he used. Not so! Dave had an aggressive picking style, taking charge of the banjo, and used amazing advanced techniques. TECHNIQUE is the key word (how he majestically manipulated the strings to get the sounds he wanted). You need to watch his subtleties while he's playing. If your playing doesn't sound like him, then you're not doing something the way he's doing it, and that is technique!

One thing that Dave does is he applies quite a bit of picking pressure on the strings, driving the banjo. That is why he needs to wear metal thumb picks and use Velcro to keep the picks from flying off his fingers!

Make Your Own Backing Tracks

I have purchased several hundred dollars worth of backing tracks available online, AND MOST ARE WOEFULLY LACKING ANY REAL INSPIRATION. Some tracks I've found are superb (like Jay Buckey), but there's just something about the simplicity of Dave Hum's tracks, with just a bass guitar!

If the backing track doesn't move the player, you're not going to “feel” the music! Dave's tracks are profoundly simple and have a happy energy to them, reflective of Dave himself. In my humble opinion, Band-In-A-Box is lame compared to Dave's tracks. If anyone has ever tried to make your own rhythm tracks, then you know how difficult and time consuming it is, so I wanted to share some helpful ideas.

Songs are generally composed of 16 to 32 bars. The first thing you need to do is find a song's chords. I found a helpful website which provides the chords to hundreds of oldtime songs, many of which Dave plays on YouTube. For example: Here are the chords for a jig titled, “Merrily Kiss The Quaker's Wife.” Here is Dave Hum playing the song (awesome). And here are some backing tracts that I made, which you are freely welcome to use and share. By the way, I NEVER sell anything or receive donations. IT'S ALL FREE (as it should be in my humble opinion). All my music is free, and you are encouraged to freely share my backing tracks with others! I am still learning how to make tracks, so I am progressing slowly.

If you'd like to work at making your own backing tracks, as I am doing, you'll need a bass guitar. If you can play guitar, you can definitely play bass, which is simply the four lowest strings on a guitar! Dave Hum's backing tracks are simple, usually just a bass and perhaps a tambourine for simple percussion. Many of Dave’s songs use only a bass guitar.

Banjo Heaven

Sunday, September 18, 2022

Waiting For New Deering Sierra Mahogany Banjo

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5 String Banjo Instruction [1967] - Earl Scruggs

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